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On the Cover

The Radiant World of Florine Stettheimer

Radiant—Florine Stettheimer in her Bryant Park garden, New York, circa 1917. Photo by Smithsonian Archives of American Art.

Florine Stettheimer (1871–1944) was an American modernist painter, poet and designer whose vivid, highly stylized works captured the glamour, wit and theatricality of early 20th-century New York. Born in Rochester, New York, and later based in New York City, she developed a singular visual language marked by radiant color, delicate line and stagelike compositions that transformed everyday scenes into imaginative spectacles.

Raised in a cultured, well-to-do family, Stettheimer spent part of her youth in Europe before settling in New York, where she and her sisters became known for hosting lively salons that drew artists, writers, performers and intellectuals. These gatherings placed her at the heart of a dynamic cultural world and helped shape paintings that reflected the vibrancy of city life, from social gatherings and theater scenes to meditations on American identity and modern life.

Stettheimer’s paintings are distinguished by their decorative elegance, humor and dreamlike sense of space. Often playful yet sharply observant, they reveal an artist who delighted in beauty while also capturing the spectacle and contradictions of the world around her. In Sun (1931), the work featured on this issue’s cover, that sensibility is on full display. A glowing sun hovers over a fantastical landscape of flowers and architecture, bathing the scene in a soft, theatrical light. Like much of Stettheimer’s art, the painting feels both intimate and enchanted, inviting viewers into a world shaped as much by imagination as by observation.

Though she exhibited only sparingly during her lifetime, Stettheimer’s work later earned recognition as one of the most original contributions to American modern art. Her paintings have been displayed at major institutions including the Museum of Modern Art, the Whitney Museum of American Art, the Metropolitan Museum of Art and the Jewish Museum. Today, her work continues to enchant viewers with its exuberance, refinement and unmistakable individuality.
—Prepared by the World Tribune staff

July 3, 2026 World Tribune, p. 12

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